4. 30“看中国·外国青年影像计划” 正在播出：锁定美国城市卫视，了解他们眼中的中国

导演/Director：SHAALI MOHAMED MBARAKA

时长/Video length：9’56”

坦桑尼亚青年导演莫言在浙江省认识了一个茶园老板，他得知虽然开办茶园有很多的困难，但是茶园老板并没有放弃，莫言被这位老板的事迹感动，于是决定用作品告诉世界，为发展做事情需要自力更生，以帮助社会为目标。

Mo Yan, a young Tanzanian director, met a tea garden owner in Zhejiang Province. He learned that although there were many difficulties in starting a tea garden, the owner of the tea garden did not give up. Mo Yan was moved by the boss’s deeds, so he decided to use his works to tell the world that it is necessary to be self-reliant for development and to help the society as the goal.

《云中花》 THE CLOUD FLOWER

导演/Director：ALI MATHNA KILINGE

时长/Video length：9’42”

来自坦桑尼亚的留学生马思娜在大墅镇的山顶上第一次见到了金丝皇菊，这也是她第一次见到可以泡茶饮用的花朵。在她的国家，有一种形似的太阳花，人们经常用作装饰和工艺品，却从没有食用过花朵。

本片将以马思娜的视角来观察中国人数百年来观赏菊花、饮用菊花的文化传统，并将由她提出一个“中国人为什么喜爱观赏、引用菊花。菊花茶又有什么功效使得它深深的融入中国人的饮食文化甚至性格之中。”这一问题。

随着她对于这片花园的不断了解，包括采花的工人、和农场的老板的创业经历后，得到了答案，并借由菊花更加深入的了解了中国。

Masina, an international student from Tanzania, saw the golden chrysanthemum for the first time on the top of the mountain in Dashu town. It was also her first time to see flowers that could be used for tea making and drinking. In her country, there is a similar sunflower, which is often used as decoration and handicraft, but has never been eaten.

From the perspective of MaSina, this film will observe the cultural tradition of watching and drinking chrysanthemums for hundreds of years in China, and will put forward a question that “why Chinese people like to watch and use chrysanthemums. What is the effect of chrysanthemum tea, which makes it deeply integrated into the Chinese food culture and even personality.

Finally，With her constant understanding of the garden, including the entrepreneurial experience of flower pickers and farm owners, she got the answer and learned more about China through chrysanthemum.

《三世同篾》Three Generations With Bamboo Products

导演/Director：OMAR FATMA KHAMIS

时长/Video length：10’09”

外国青年导演李贤（FATMA KHAMIS OMAR）和中方制片人张正翼一起来到下姜村，他们认识了一位老篾匠——姜林村，他15岁时拜师学艺。手中的竹篾陪着他走过了少年的懵懂，勾连起终身的爱情，遮挡了人生的风风雨雨。五十多年过去，姜林村用薄薄的竹篾编织出了一个三世同堂的大家庭。而今竹编手艺后继无人，姜林村又有怎样的忧虑？竹制品市场需求越来越小，面对温馨富足的生活，姜林村是否会放弃继续与竹篾为伴？

Fatma Khamis Omar, a young foreign director, and Zhang Zhengyi, a Chinese producer, came to Xiajiang village. They met an old craftsman, Jiang Lincun. When he was 15 years old, he learned from his teacher. The bamboo strips in his hand accompanied him through the youth’s ignorance, linked up the lifelong love, sheltered the ups and downs of life. More than 50 years later, Jiang Lincun has woven a large family of three generations with thin bamboo strips. Now that there is no successor to bamboo weaving, how worried is Jiang Lincun? The market demand for bamboo products is getting smaller and smaller. In the face of a warm and affluent life, will Jiang Lincun give up and continue to accompany with bamboo strips?